Without a full band, there were only hints of Bluegrass, as she played four different instruments, including the banjo, and a big 8-string mandolin, that she referred to as an "octo-mando." Self-possessed and confident, she made it look easy, as though writing, recording, and performing all this music was as natural as breathing.
The Statesman called her perhaps the next Alison Krauss, but she reminded me more of Gillian Welch, without the overdone "Appalachian Orphan Girl" sound of Welch's early material. Per a request from Waterloo's owner, she closed with a cover of Gnarles Barkley's, "Crazy," which she nailed on the mandolin, and sang with the gusto of a recent high school graduate. Already talented beyond her years, the unlimited potential rolled off the stage with each note. She may never be a huge star, but she can always pursue the safe backup plan of a career as great musician.
JS4
2 comments:
OMG! I had no idea you were blogging again! Welcome back (a bit late...)!
Folks,
L.A. Runner is a FAST marathon runner from Lower Alabama. She's close to breaking 3 hours (No pressure, R.) She writes a good blog, mostly about her running, and with wise boundaries, dips into her non-running life as well.
Worth a read, for sure.
Post a Comment